Alia Bhatt talks about her role in Udta Punjab

What was the test of playing a medication someone who is addicted in Udta Punjab? 

It was not at all like anything I have played before or anything that I can identify with. That was the __END__challenge. This character was totally new and outsider and a totally new space for me.

What were your references for the character? 

There was no identity or character references that I got. With the assistance of the script and by conversing with executive Abhishek Chaubey, making inquiries like, what she is experiencing? What she feels? How is she? What are her characteristic impulses? I made a nonexistent individual and it was truly me being that fanciful individual.

This is the second time you're working with Shahid Kapoor. What's more, Kareena Kapoor Khan is your object of worship. How was the experience of functioning with them? 

I don't have any scenes with Kareena Kapoor Khan in the motion picture. Since it's around four diverse lives, all characters don't run into each other. Be that as it may, I got to invest energy with her on set subsequent to Kareena and Diljeet (Dosanjh) had as of now began shooting, I joined later and after that Shahid came in. I went a couple days before in light of the fact that I needed to do some exploration in Punjab so I used to run sit on set with her. We used to visit and we were simply becoming more acquainted with each other.

With Shahid, it was exquisite. We had a decent time while shooting Shaandaar, however this time we were occupied in our own thing. It's an altogether different and drawing in film. We shot together for around four to five days. We were both in various zones. We didn't converse with each other on set.

This is your first film with executive Abhishek Chaubey. How was it, functioning with him? 

Stunning, I think he is completely astonishing, he is an immaculate parity of comprehension and openness of an executive, additionally enough to say, 'no, I need this shot to come along these lines, to originate from that point; no I'm not going to do it some other way.' He resemble the commander of the boat and he is one of the best chiefs a performing artist can have, on the grounds that he gives you such a great amount to play with; he gives you the feeling in your grasp and he manages you.

Did you need to learn Bhojpuri for the film? 

No, it's really a mix of a lingo from Bihar and Punjab, similar to when you are living in Delhi, then you live in Bombay – the Hindi we talk is the same however the dialect and the way we talk it is altogether different. So it's a mix like that.

What's your criteria while picking a film? 

I feel like you need to do the motion pictures that group of onlookers loves. It can be an extraordinary film, it can be a business film, it can be a sentimental film, romantic tale, activity – it can be anything.

It was not at all like anything I have played before or anything that I can identify with. That was the __END__challenge. This character was totally new and outsider and a totally new space for me.

What were your references for the character? 

There was no identity or character references that I got. With the assistance of the script and by conversing with executive Abhishek Chaubey, making inquiries like, what she is experiencing? What she feels? How is she? What are her characteristic impulses? I made a nonexistent individual and it was truly me being that fanciful individual.

This is the second time you're working with Shahid Kapoor. What's more, Kareena Kapoor Khan is your object of worship. How was the experience of functioning with them? 

I don't have any scenes with Kareena Kapoor Khan in the motion picture. Since it's around four diverse lives, all characters don't run into each other. Be that as it may, I got to invest energy with her on set subsequent to Kareena and Diljeet (Dosanjh) had as of now began shooting, I joined later and after that Shahid came in. I went a couple days before in light of the fact that I needed to do some exploration in Punjab so I used to run sit on set with her. We used to visit and we were simply becoming more acquainted with each other.

With Shahid, it was exquisite. We had a decent time while shooting Shaandaar, however this time we were occupied in our own thing. It's an altogether different and drawing in film. We shot together for around four to five days. We were both in various zones. We didn't converse with each other on set.

This is your first film with executive Abhishek Chaubey. How was it, functioning with him? 

Stunning, I think he is completely astonishing, he is an immaculate parity of comprehension and openness of an executive, additionally enough to say, 'no, I need this shot to come along these lines, to originate from that point; no I'm not going to do it some other way.' He resemble the commander of the boat and he is one of the best chiefs a performing artist can have, on the grounds that he gives you such a great amount to play with; he gives you the feeling in your grasp and he manages you.

Did you need to learn Bhojpuri for the film? 

No, it's really a mix of a lingo from Bihar and Punjab, similar to when you are living in Delhi, then you live in Bombay – the Hindi we talk is the same however the dialect and the way we talk it is altogether different. So it's a mix like that.

What's your criteria while picking a film? 

I feel like you need to do the motion pictures that group of onlookers loves. It can be an extraordinary film, it can be a business film, it can be a sentimental film, romantic tale, activity – it can be anything.